VOUET, Simon

French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting


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VOUET, Simon Magdalene r oil


Magdalene r
Painting ID::  9683
Magdalene r
1614-15 Oil on panel, 63 x 49 cm Palazzo del Quirinale, Rome
   
   
     

VOUET, Simon St Catherine er oil


St Catherine er
Painting ID::  9684
St Catherine er
1614-15 Oil on panel, 63 x 49 cm Palazzo del Quirinale, Rome
   
   
     

VOUET, Simon The Fortuneteller  w oil


The Fortuneteller w
Painting ID::  9685
The Fortuneteller w
1617 Oil on canvas, 95 x 135 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     

VOUET, Simon The Fortuneteller (detail) aer oil


The Fortuneteller (detail) aer
Painting ID::  9686
The Fortuneteller (detail) aer
1617 Oil on canvas Galleria Nazionale d'Arte Antica, Rome
1617 Oil_on_canvas Galleria_Nazionale_d'Arte_Antica,_Rome
   
   
     

VOUET, Simon Virgin and Child wer oil


Virgin and Child wer
Painting ID::  9687
Virgin and Child wer
Oil on canvas Mus??e des Beaux-Arts, Lyon
Oil_on_canvas Mus??e_des_Beaux-Arts,_Lyon
   
   
     

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     VOUET, Simon
     French Baroque Era Painter, 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting

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